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Trevor Barnard : ウィキペディア英語版
Trevor Barnard

Trevor John Barnard (born 3 January 1938) is a British-born Australian pianist and teacher.
==Career==
Trevor John Barnard was born in London in 1938. He entered the Royal Academy of Music at a young age, followed by private study with Herbert Fryer, a student of Tobias Matthay〔''Grove's Dictionary of Music and Musicians'', 5th ed (1954), Vol. III, p. 510〕 and Ferruccio Busoni. He later won a scholarship to the Royal College of Music, and after that he studied intensively with Harold Craxton.〔(Bach Cantatas )〕
He appeared as soloist with the London Symphony Orchestra, Philharmonia Orchestra, City of Birmingham Symphony Orchestra, Bournemouth Symphony Orchestra, and various BBC orchestras.〔
In 1962 he made the first stereo recording〔 of Sir Arthur Bliss's Piano Concerto in B-flat, with the Philharmonia Orchestra under Sir Malcolm Sargent. He also performed the work in concert under the composer's baton in 1963 and 1966.〔(Arts and Humanities Research Council )〕 He had earlier played it under Arthur Dennington in 1958.〔(Arts and Humanities Research Council )〕
After moving to the United States Trevor Barnard was Pianist-in-Residence to the FM station Boston University Radio between 1967 and 1971, and was on the Faculty of the New England Conservatory in Boston between 1968 and 1972. He then moved to Melbourne, Victoria, Australia where he was appointed Piano Tutor at Monash University. He taught full-time and consecutively at the Melbourne State College and the Melbourne College of Advanced Education from 1974 to 1988, and at the University of Melbourne from 1989 until his retirement in 2003.〔〔
In Australia he toured and broadcast frequently for the Australian Broadcasting Corporation. Among the composers who have written works for him are Felix Werder, Richard St. Clair, Geoffrey Allen and Michael Bertram.〔
Trevor married Elizabeth Helen Richmond in Melbourne, Australia, on 28 August 1974. Professionally known as Helen Richmond she was a significant pioneer in the development and appreciation of Early Music in Australia during the 1960s and 1970s. In recognition of her achievement Helen was appointed a Life Governor of the English-based Dolmetsch Foundation.

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